Article
The Development of Gambang Kromong Art as an Acculturation of Chinese and Betawi Culture in Teluk Naga Sub-district Tangerang 1967 – 2000
Jurnal Penelitian Pendidikan Sejarah UHO, Vol. 9 No. 2 (2024), hlm. 53–62
Abstrak
In the development of Gambang Kromong art in Teluknaga District, we will examine the concept of: a description of the beginning of the formation of Gambang Kromong art in Indonesia, a description of the dynamics of Gambang Kromong as a performing art in 1967-2000 and the values of acculturation in Gambang Kromong art, Gambang Kromong in Teluknaga District. The method used is the historical method. Historical Method consisting of heuristics, criticism, interpretation and historiography. In 1967, the Gambang Kromong art group existed in the Tangerang area, more precisely in the Teluknaga District. This research will discuss the initial development of the art of gambang Kromong, the dynamics of Gambang Kromong as a performing art in 1967-2000 and the values of acculturation in the art of Gambang Kromong in Teluknaga District. The results of the research reveal that the art of Gambang Kromong is an art that was formed during the era when the VOC occupied Indonesia. Landlords who had slaves or servants would have formed a group to entertain the landlord's guests. Chinese people use Gambang Kromong not as entertainment but rather as a means of traditional Chinese ceremonies such as Ciao Tao and accompanying death processions. In 1967, this art had no influence from Law Number 14 of 1967 because art was enjoyed and could not be mixed with politics.